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4. To set the output level of the mixing desk, take the channel out of solo mode if your desk has a solo button. The meters on the mixing desk will now show the level of all channels combined. Turn your microphone channel up to 0dB (on some desks this is marked U for unity gain). 5. Mixing desks allow you to move things from side to side in the mix. This is known as panning, and is controlled by the pan knob on your mixer. Each channel has a separate pan control. Make sure your microphone is in the center of your mix. Check the pan setting to make sure it s right in the middle. Sometimes conversations between two people can sound more intimate if the two speakers are panned slightly to the left and right, but most of the time and especially when setting up your gain structure all microphones should be right in the middle of your mix.

When you follow this procedure, all the dimensions using the dimension style that you chose appear the same size on your final plot.

This section looks at functions that create objects. When you work with ActiveX, you need to retrieve objects in their hierarchical order. This hierarchy concept is discussed in more detail in the next chapter. For this chapter, you need to know that before you can retrieve an object, you need to retrieve the following: n Acad-object. Represents the AutoCAD application. n ActiveDocument. Represents the current drawing. n ModelSpace/PaperSpace. Represents the type of space that you want to use within the current drawing. In AutoLISP, you first retrieve the AutoCAD application, then your drawing, and finally the space (model or paper). Here you take the simple line command used earlier in this chapter and convert it by using ActiveX:

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Traditional organized crime found that credit cards were another source of income for their criminal activities In 1970, Salvatore Bill Bonanno, the son of former mob boss Joseph Joe Bananas Bonanno, went to jail for four years after Postal Inspectors and the Federal Bureau of Investigation caught him fraudulently using someone else s credit card Organized crime would continue this criminal activity and in the early 1980s would counterfeit credit cards in the names of unsuspecting victims By 1973, data suggested that credit card fraud losses were down to between $40 and $60 million In that year, it was estimated that 200 million credit cards were in circulation in the United States with annual theft losses of 15 million cards.

diting drives a video program. Excitement, tension, and interest can all be controlled by the careful assembly of sound and video clips. Fortunately, Premiere makes this crucial element of digital video production a logical, creative, and rewarding process rather than a tedious and frustrating one. Premiere s graphical interface which features its Timeline, Clip, and Monitor windows combines with its track selection and editing tools to provide a fully integrated and powerful working environment. This chapter introduces you to the basic techniques of editing in Premiere. It begins with an overview of the editing process, and proceeds to basic Timeline editing tasks such as selecting and moving clips from one part of the Timeline to another. The chapter concludes with a discussion of creating insert and overlay edits using the Source and Program views in the Monitor window. Premiere s advanced editing techniques are discussed in 10.

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Designing PDF Forms (Windows Only)

13 As a result of the Truth in Lending Act legislation (also called the Consumer Credit Protection Act), American consumers were better protected in the use of credit cards and credit-related transactions The act required clear disclosures in the granting of credit and credit card practices In addition, a new statute to fight credit card fraud was created: Title 15, United State Code, Section 1644, Fraudulent Use of Credit Cards, was enacted in 1970 This statute was used to prosecute defendants for the use of any counterfeit, fictitious, altered, forged, lost, stolen, or fraudulently obtained credit card to obtain.

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